Selasa, 03 Februari 2015

Watch Toxin Online

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When extremely dangerous spores are found growing and contaminating an elderly woman's basement, military-led scientists realise they have a potential bioweapon on their hands. The elderly woman, Granny Sara, has lived among this virus for years, apparently unaffected.
When her grandson Dean finds out that she is facing eviction, he and his buddies take a detour from their road trip to help the old woman any way they can. They inadvertently become part of a top secret experiment and leaving the Granny's house may no longer be an option.

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I must give credit to writer-director Jason Dudek for at least trying to give his characters a bit of depth, especially in a film that already had an awful lot going on with the story. Unfortunately, the writing made for some uneven decisions as Dudek tried to stay focused on the main story but tended to drift away when he had to jump from the labs to the house frequently.
I don't know what the budget was but I assume it was fairly limited, although, the sets were certainly quite good. Having C.S. Lee of Dexter fame playing a scientist was a nice touch, even if it was a rather transparent attempt. Heading the lab was Dr. Locke, played by "I'm getting too old for this shit" Danny Glover. He was playing a bad guy here and was in charge of creating the toxin and the anti-toxin for the military. Dudek did give Locke a bit of a perfunctory backstory, as he did with Dean and his grandmother, played by the amazing 88-year-old Fiona Hale.

Dean was comfortably played by Taylor Handley in the lead role. Dean's backstory was the only one with a bit more depth than the rest. He's just back from fighting somewhere in the Middle East and is having flashbacks of his buddies being shot and killed all around him. Dean's girlfriend does the whole "you'll have to talk to me about what happened over there" bit. But that part of the story never really gets much traction. Vinnie Jones plays a soldier in charge of security at the lab. He's also Dr. Locke's main go-to guy. Jones' character starts off as exactly the type character we've seen him play countless times before, then Dudek seems to decide to try something different with the scowling Londoner that really didn't work for me at all. I don't want to give anything away about Vinnie so I'll leave it at that.
There is the odd cliche in evidence but there's also an effort by Dudek to try and avoid them and he scores more points for at least trying to be different. Unfortunately, he started off with a very photogenic cast and that's cliche number one right there. No one has unattractive friends anymore?! Thankfully there's no preamble as we cut to the chase almost immediately as the film opens, which is yet another point in Dudek's favor. Additionally, Toxin is a film that's not sure what it's supposed to be and that didn't help matters when it came to rooting for the characters. Not that it wasn't obvious who the real hero was and what the outcome would be.
Anywho, Toxin isn't a film to get over-analytical over, with its bogus science that simply couldn't work in a million years. The acting was mostly good and the production values were decent. You just need to sit back and enjoy the ride and take the good with the bad. Definitely worth seeing once, but I doubt anyone will be up for a second viewing.

Selasa, 27 Januari 2015

Watch The SpongeBob Movie: Sponge Out of Water Movie Online

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The second SpongeBob movie, a mix of live-action and animation, sees Nickelodeon's sea dwelling invertebrate take to land in order to stop Burger Beard the Pirate (Antonio Banderas) from obtaining a missing page of a recipe book – a recipe book that has the power to grant Burger his evil wishes.

The SpongeBob Movie: Sponge Out of Water , a mix of live-action and animation, sees Nickelodeon's sea dwelling invertebrate take to land in order to stop Burger Beard the Pirate (Antonio Banderas) from obtaining a missing page of a recipe book – a recipe book that has the power to grant Burger his evil wishes.

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Kicking off on Monday, January 5, “The SpongeBob Day of Positivity” will bring fans together to celebrate SpongeBob’s most admired quality – eternal positivity!
The “Day of Positivity” will be filled with major events and first looks at exclusive materials from the new film, all in honor of the world’s favorite optimist, SpongeBob SquarePants.

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“The Day of Positivity” highlights include:
  • Viacom Networks (including Nickelodeon, MTV, VH-1 and Comedy Central) running exclusive and unique spots inviting viewers to celebrate this new and exciting holiday.
  • Cinemark Theaters offering the first 500 ticketholders on January 5 at each of its locations nationwide a coupon card for a free junior popcorn when seeing “THE SPONGEBOB MOVIE: SPONGE OUT OF WATER” on opening weekend, while supplies last.
  • Paramount-hosted events in cities across the U.S. and Canada.
In St. Louis, to honor the day, Stray Rescue of St. Louis will offer a very special Spongebob-themed prize package to the first 50 people who stop by today at their location at 2320 Pine Street and either donate an item (like towels, dog food, etc) or check out a potential dog to be adopted. Prize packages to include a Spongebob dog toy, cookie and a family four pack of passes to see an early screening of THE SPONGEBOB MOVIE: SPONGE OUT OF WATER, which opens in theatres February 6th.

Kamis, 27 November 2014

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Watch The Babadook Online Putlocker, Yet, even before anyone cracks “Mr. Babadook’s” cover, “The Babadook” has the elaborately fabricated look of a giant pop-up movie, sporting the kind of intricately detailed and resolutely analog visual design one associates with the early films of Terry Gilliam or the recent ones of Wes Anderson.

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 The characters inhabit a world that seems drained of color, with everything from clothes to walls to furniture painted in shades of gray and black, as if they, too, were in a perpetual state of mourning. That creates just the right feel of subjective reality for a movie about monsters that spring not from some far-flung demonic realm but rather from the darkness of our own subconscious. Indeed, Mr. Babadook’s closest predecessor in the canon of bigscreen bogeymen may be the murderous, “psychoplasmic” offspring of the mentally disturbed mother in Cronenberg’s “The Brood.” (Unsurprisingly, when the “monster” makes his first full-bodied appearance, it’s as a terrific piece of stop-motion animation.)

It may be impossible to make a horror movie nowadays without having at least one character, at some point, vomit up the tar-like goo that has become the standard signifier of demonic possession, but even when “The Babadook” traffics in the familiar, Kent manages to put her own signature spin on things. Like Bruno Bettelheim and Angela Carter before her, she’s fascinated by the primal pull of the fantastic, and why the classic fairy tales loom so large in our collective unconscious. But she also has a Melies-like sense of showmanship, and for all its theoretical leanings, “The Babadook” rivals the recent work of James Wan (“The Conjuring,” “Insidious”) in its ability to goose an audience with old-fashioned sound effects, shadow play and the power of suggestion.

Through it all, Kent never compromises the emotional reality of her characters or exploits their suffering for cheap shock effects. Davis, a sturdy supporting player in many Oz films and TV series best known internationally for her work in the two “Matrix” sequels, is a revelation here as the emotionally fragile widow and mother whose grief gradually decays into something more sinister and Jack Torrance-esque. In what is almost exclusively a two-hander, she’s very well matched by Wiseman, a freakishly intense child actor making a very impressive debut. Their ultimate showdown with their unwelcome visitor is harrowing and strangely moving in equal measure,  as it suggests that all of us who have loved and lost may have a Babadook of our own lurking somewhere deep within.

In addition to the standout work of production designer Alex Holmes, the pic sports an ace tech package that more than belies its modest budget (reportedly $2.3 million), including Polish d.p. Radek Ladczuk’s sleek, shadowy widescreen lensing.

Minggu, 23 November 2014

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Watch The Hunger Games: Mockingjay Movie Online Megashare 2014,  Fans of the books will know that the story is about to open back up again with a satisfying snap, which is foreshadowed here in a series of terrific scenes in which Stanley Tucci’s oleaginous talk show host, Caesar Flickerman, hosts a number of stage-managed, Martin Bashir-like interviews with a certain contemporary of Katniss’s, back from the dead.

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It’s moments like these that remind you this blockbuster series’ greatest special effect has always been the way it encourages its young target audience to engage sceptically with the uneasy love triangle between truth, power and entertainment. But Mockingjay – Part 1 feels a little short of all three.
To start I am a 47 year old Veteran.
I have read a lot of the bad reviews for this last book and I see a theme running through them all. They didn't get their fairytale ending and the people they liked didn't end up the way they wanted. Well If you are looking for a fairytale read Harry Potter. If you want a realistic book on how war really is and how people will sacrifice themselves to save their country, then this is for you.

Watch The Hunger Games: Mockingjay Full Movie The love triangle between the three main characters resolves itself in the best way that I could see possible. The way each one would react to the horrors of war were obvious from book one. I don't want to include spoilers so Ill just say, read this with an expectation of a realistic portrayal of the characters and how the war would change them. The ending on a personal level, is not necessarily a happy one, but it is a realistic one. From a "Big Picture" perspective I think it was a happy ending. To expect that all of the main characters could live "Happily Ever After" after surviving what happened in all three books is unrealistic.
The title of my review sums up my feelings about this novel. I was addicted to the first two books. I could not put them down. When it came time to read the last book I kept saying that I needed to pace myself since I knew it was the last but instead I read it in a day. In the end, there was no need to rush. Now, that I've finished the trilogy I feel as wronged and empty as Katniss felt at the end of Mockingjay.

First of all, after reading the first two books I viewed this as a story about an incredible character named, Katniss. I felt that the war was a backdrop to the character. This was was what shaped her, matured her, tested her. But, by the end of the series it changed. It became about war, war is bad, blah, blah. Everyone knows this. This is nothing new. I do not need Finnick to get chewed to death or for Prim to incinerate for me to know this. But, what I didn't know and what I wanted to know was how Katniss would resolve this issue of war, this issue of being a pawn, of loving two different boys. These things were never told to me because she spent the majority of the book hiding, getting injured, being unconscious, staying drugged, or half insane. It was horrible enough that the usually dependable character of Peeta was hijacked but so was the character of Katniss. Her character and her reactions to the Games and the war were what made me invested in this story. There was none of that in Mockingjay. Watch The Hunger Games: Mockingjay Full Movie She just simply existed. Gale and Peeta were both seriously injured at the end and she didn't even try to find them once she healed. Really? These two men she would die to protect she suddenly could care less about them when one got shot and the other got burned? The author seemed too focused on throwing in as many tragedies as possible instead of showing us any genuine reactions or dialogue from the characters the readers cared about. Also, when Peeta was struggling to find his old self back in 13 she did nothing to help him but just kept avoiding him. In fact, that was really what she did the whole story which was such a change from who she was in The Hunger Games.
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Sabtu, 22 November 2014

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It’s a classic boy-meets-girl story. Boy is a police officer subbing for a fellow cop who provides city-funded, in-hotel security for celebrities. Girl is an R&B singer whose career is about to go supernova but is repulsed by the trappings of fame and decides to hurl herself off her Beverly Hills balcony just hours after winning a Billboard award. He grabs her, they lock eyes, he says that he “can see her” (maybe he just rented Avatar) and thus begins a love affair that must conquer all odds.

But this isn’t just a showbiz Notting Hill. The twist is that both of our conflicted lovers are facing the same struggle. Noni Jean (Gugu Mbatha-Raw) has been groomed to be a pop sensation since before she could speak. Mild – but extremely handsome – Officer Kaz Nicol (Nate Parker) is on a fast track toward politics. These are good, big-hearted people who feel a sense of purpose, but both are ready to lose their minds if their respective parents don’t step off.

For Kaz it’s his father, a police captain played by Danny Glover, wearing the struggle in the cracks of his face, organizing dinners with influential black preachers. Noni’s case is more nuanced, wincing as she bends her talents for the lowest common denominator, led by her driven “momager” played by Minnie Driver. The suicide attempt is swiftly swept under the rug as “too much celebratory champagne mixed with dangerous stiletto heels”, and Kaz begrudgingly does his part to sustain the lie at a hastily called press conference. His father quickly recognises the benefits of being a trending topic; her mother tells the record label that the upcoming BET awards number will be so hot it’ll stop the distasteful hashtags in their tracks.

Clearly these two need two kids need a getaway. Their retreat to a beautiful-but-unpretentious bungalow on the Mexican coast (in which Noni finally removes her periwinkle weave for some PG-13-style lovemaking) is arguably the best ad for Travelocity-type sites ever made. This emotional apogee comes after some soap opera-style struggle, but in the best possible sense. The courtship of Noni and Kaz is classic Hollywood melodrama, sharply written for the information age.
 

Written and directed by Gina Prince-Bythewood (Love and Basketball), Beyond the Lights leaves the topic of race undiscussed for almost the entirety of the film. But this absence makes a strong presence. Noni’s hit video is opposite a white rapper named Kid Culprit (Machine Gun Kelly). When she appears onstage with him to accept an award, her enormous gold choke chains could easily be mistaken for shackles.

On a day Noni invites her “boy scout” Kaz to ride along with her , we witness a myriad of indignities as the popular press chops Noni up and serves her like airbrushed meat, her seemingly heartless mother tapping away on her smartphone, ignoring Twitter and “focusing just on the mainstream”. Later (during a grab-your-hankie moment) Driver tries to explain what it was like to be a young single Brixton girl in public housing with a black baby. She’s the closest thing the movie has to a traditional villain, but by the end (and I don’t think this is much of a spoiler) we recognize that what she did, she did out of love.

Beyond the Lights is somewhat ridiculously anglophilic. “Welcome home, luv!” the kinder, gentler UK paparazzi call to her in her noticeably less sexed-up attire for a finale concert on her terms. To the detriment of the film, we learn that Noni’s idol is Nina Simone, which makes for some unfortunate comparisons. (Forget that no one can ever fill Simone’s shoes, but the style of music the kids listen to today just does not measure up harumph harumph harumph.) But her big numbers still come from the heart and it’s damn near impossible not to cheer, especially with Kaz beaming with pride from the side of the stage. 

Kamis, 20 November 2014

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Putlocker Watch Penguins of Madagascar Online Free 2014,  Credit Nickelodeon and Dreamworks for realizing the penguins were a storytelling bonanza. With a voice that sounds commanding - like he's saying it with a tough-guy squint - McGrath's Skipper turns ordinary lines, like "This madness ends now," into comedy gold just by his inflection. Kowalski (Jeff Bennett) provides all technical expertise, theories and calculations Skipper needs, even if those are often wrong or vague. They get through any rough patches thanks in large part to Rico (John DiMaggio), the munitions expert who literally coughs up whatever's needed - flamethrower, anvil, flashlight. Private (James Patrick Stuart) is the meek penguin, always trailing the other three or getting slapped by Skipper for voicing caution.

"The Penguins of Madagascar" may be on Nickelodeon, but don't think it's just a kids show. Adults who laughed at Skipper and company on the big screen will find that the flightless commandos are just as funny on the small screen. Given that much of the hilarity comes from a kind of meta ridiculousness, it's safe to assume even adults might not get it.

For example, all you need to know about what makes the Skipper character funny is this seemingly random exchange: The penguins are trying to get away from the annoying lemur, King Julien (Danny Jacobs, sounding as close to Sacha Baron Cohen's movie version as can be). The only two places that Kowalski can come up with that match Skipper's requirements are Denmark and the moon. "I can't step foot in Denmark," Skipper says, ominously. When Private asks why, Skipper says "Because that's private, Private. Between me and the Danes."
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He draws "the Danes" out mysteriously, creating humor in the vocals (and in the fact that "the Danes" itself is funny). Of course, if that's too sublimely silly for you, there's always King Julien, whose broad strokes as the entitled party-boy king - accent, mannerisms, ego, selfishness, duplicity, etc. - add goofy levity to the arch penguin antics. Andy Richter returns as the voice of Mort and King Julien's other cohort, Maurice, is played by Kevin Michael Richardson.

"The Penguins of Madagascar" will likely be a hit with kids and grown-ups - the animation, stories and broad humor appealing to the younger ones and the nuanced absurdity appealing to adults. At least those not afraid to laugh at kung-fu penguins who sound like Robert Stack.

Minggu, 16 November 2014

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If you think it's infantile for Jim Carrey, 52, and Jeff Daniels, 59, to make a sequel to to the fabulously flatulent farce they made 20 years ago, you'd be right. I wouldn't want it any other way. The bad news isn’t that Carrey and Daniels got old, it's that the jokes did. The spirit is still willing in Peter and Bobby Farrelly, the original writer-directors, but  the sagging flesh is weak from prolonged repetition.

We once roared with laughter when Daniels, as Harry Dunne, suffered an epic bout of the shits. And who can forget Carrey, as Lloyd Christmas, inflicting punishment by hot pepper? This time we find out that Lloyd has been institutionalized, though Harry visits to change his diapers. The new quest for these two Dumb Quixotes is to leave home (Providence, Rhode Island) and find the fruit of Harry’s loom, a daughter (Rachel Melvin) Harry never knew existed but who might gift Lloyd with a needed kidney.

Presumably, the Farrelly combo of sentiment and sleaze will never die. Because so many gags fall flat, you may treasure the ones that do. Why? Out of respect for the way Carrey and Daniels throw themselves into gross stupidity. Or maybe affection for the Farrellys in the heyday of There's Something About Mary, Kingpin and the first Dumb and Dumber. Time can be cruel, especially to sequels.